“Between my background and my foreground I am not sure where I 
stand.”


Latoya Ruby Frazier, 
The Notion of Family, 65.


















The Square

photography as orientation


The River

photography as diagnostic


The Theater

photography as solastalgia



The Meadow

photography as re-orientation

























“What each of those Pittsburgh people realizes is what all of us as
Americans need to know, which is that our entire story is always
about many stories and that we are connected by the history of our
nation and by the things that we have either invented or borrowed or
refined in order to live lives as close to what we wish as we can.”



Stanley Crouch,
One Shot Harris: The Photographs of Charles “Teenie” Harris. 2002.


























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